Pierre Boulez Music Quote Image

 

“The aim of music is not to express feelings but to express music. It is not a vessel into which the composer distils his soul drop by drop, but a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal.”

Pierre Boulez

 
 

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About Pierre Boulez

Pierre Louis Joseph Boulez CBE (French: [pjɛʁ bu.lɛːz]; 26 March 1925 – 5 January 2016) was a French composer, conductor, writer and organiser of institutions. He was one of the dominant figures of the post-war classical music world.

Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as Music Director of the Renaud-Barrault theatre company in Paris. As a young composer in the 1950s he quickly became a leading figure in avant-garde music, playing an important role in the development of integral serialism and controlled chance music. From the 1970s onwards he pioneered the electronic transformation of instrumental music in real time. His tendency to revise earlier compositions meant that his body of completed works was relatively small, but it included pieces regarded by many as landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His commitment to the modernist project and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist, a reputation which softened in later years.

In parallel with his activities as a composer Boulez became one of the most prominent conductors of his generation. In a career lasting more than sixty years he held the positions of Chief Conductor of the New York Philharmonic and the BBC Symphony Orchestra, Music Director of the Ensemble Intercontemporain and Principal Guest Conductor of the Chicago Symphony Orchestra and the Cleveland Orchestra. He made frequent guest appearances with many of the world's other great orchestras, including the Vienna Philharmonic Orchestra, the Berlin Philharmonic Orchestra and the London Symphony Orchestra. He was particularly known for his performances of the music of the first half of the twentieth-century—including Debussy and Ravel, Stravinsky and Bartók, and the Second Viennese School—as well as that of his contemporaries, such as Ligeti, Berio and Carter. His work in the opera house included the Jahrhundertring—the production of Wagner's Ring cycle for the centenary of the Bayreuth Festival—and the world premiere of the three-act version of Alban Berg's Lulu. His recorded legacy is extensive and he received 26 Grammy Awards.

He founded a number of musical institutions in Paris, including the Domaine Musical, the Institut de Recherche et Coordination Acoustique/Musique (IRCAM), the Ensemble Intercontemporain and the Cité de la Musique, as well as the Lucerne Festival Academy in Switzerland.

Pierre Boulez died at his home in Baden-Baden on 5 January 2016, aged 90.

Attribution for the photo used within the quotation image:
Pierre Boulez (1968)” by Joost Evers / Anefo – Nationaal Archief. Licensed under CC BY-SA 3.0 via Wikimedia Commons.